Constantin Wenzel je umetnik sa izuzetno raznovrsnim i bogatim profesionalnim iskustvom, čiji rad pokreće duboka strast prema glumi, modelingu i biznisu. Sposobnost da uspešno balansira između različitih oblasti omogućila mu je da stvori jedinstvenu karijeru koja se neprestano razvija. Učenje na prestižnim institutima, poput Lee Strasberg Instituta u Njujorku i Los Anđelesu, oblikovali su njegov pristup glumi, dok njegova strast za istraživanjem složenih likova i emocionalnih dubina nastavlja da ga vodi u različite filmske projekte.
Imate zaista raznovrsnu karijeru, od studiranja biznisa do glume i modelinga. Kako su ove discipline uticale jedna na drugu u vašem ličnom i profesionalnom životu?
Pa, trebalo mi je neko vreme da pronađem ravnotežu između biznisa, glume i modelinga. Međutim, sve tri profesije su značajno obogatile moj život. Biznis mi je omogućio strateško razmišljanje i disciplinu, koje primenjujem u upravljanju svojom karijerom. Gluma je proširila moju sposobnost empatije i komunikacije, omogućavajući mi da se dublje povežem s drugima, dok je modeling povećao moje samopouzdanje i izražavanje, pomažući mi da prihvatim svoj jedinstven identitet.
U svim profesijama, trudim se da pronađem način da negujem kreativnost, dok uvek pokušavam da se prilagodim različitim okolnostima. Ovo je obogatilo moj lični razvoj i pomoglo mi da donesem više lakoće u mojoj profesionalnoj karijeri.
Učili ste na Lee Strasberg Institutu u Njujorku i Los Anđelesu. Kako je ovo iskustvo oblikovalo vaš pristup glumi, i postoje li neki specifični trenuci koji su vam ostali u sećanju?
Moje iskustvo na Lee Strasberg Institutu bilo je zaista neverovatno, i imao sam ogromnu sreću što sam imao tako divne učitelje. Ako se osvrnem na vreme provedeno tamo, nekoliko ključnih lekcija mi je ostalo u sećanju: značaj emocionalnog pamćenja, snaga tehnika opuštanja i vrednost vežbi sa sećanjem na senzacije. Ove tehnike su mi i dalje neprocenjive, pomažući mi da stvorim iskrene emocije i reakcije koje značajno poboljšavaju moje nastupe.
U vašem filmu “Envisioned: Solace of Our Demons” istražujete dublje emocionalne i psihološke teme. Šta vas je privuklo ovoj ulozi, i koji je bio najizazovniji aspekt igranja takvog lika?
Dubina i složenost lika privukli su me ovoj ulozi u filmu Envisioned: Solace of Our Demons. Istraživanje ovih složenih emocionalnih i psiholoških tema bilo je i izazov i uživanje. Pokušao sam da uhvatim unutrašnje borbe lika i da ih predstavim na autentican način, kako bi publika mogla da se poveže i saoseća sa njegovim putovanjem.
“Window Shopping” deluje kao lakši, romantičniji film u poređenju s nekim vašim drugim radovima. Šta vas je privuklo ovom projektu?
Window Shopping mi je ponudio osvežavajuću promenu tempa, sa svojom razigranom i romantičnom atmosferom. Privukla me je priča, kao i mogućnost da istražim lakši, više razigran pristup pripovedanju.
Kako pristupate ulozi na sceni u odnosu na filmsku ulogu? Kako se razlikuje igranje pred živom publikom i pred kamerom?
Kada sam na sceni, pred živom publikom, energija i povezanost sa publikom su odmah prisutni i to mi omogućava da se fokusiram na to da budem potpuno prisutan i da pojačam svoje izraze, jer svaki pokret i emocija moraju biti dovoljno snažni da dopru do poslednjeg reda. Nema pauze, i svaka predstava je nova, zajednička iskustvo sa publikom.
S druge strane, filmska gluma mi omogućava da se posvetim suptilnostima lika. Kamera može da uhvati i najmanji treptaj oka ili najslabiji šapat, pa se fokusiram na usavršavanje detalja. Moje iskustvo na setu je intimnije i omogućava mi da se osvrnem na unutrašnje emocije, prikazujući suptilne emocije bez potrebe za preuveličavanjem.
Kako vaša glumačka profesija doprinosi vašoj strasti za zalaganjem za društvene probleme i promociju raznolikosti u industriji zabave?
Strastven sam u promovisanju raznolikosti u industriji zabave kroz različite inicijative i projekte. Jedan specifičan projekat na kojem sam strastveno angažovan je saradnja sa organizacijama koje podržavaju nedovoljno zastupljene filmske stvaraoce i umetnike, kako bih im pružio priliku da prikažu svoj rad i uvećaju svoje glasove.
Koje vrste uloga biste želeli da dobijete budućnosti? Da li postoje neki žanrovi ili tipovi likova koje biste želeli da istražite?
Radujem se istraživanju uloga u periodnim filmovima. Ideja o ulasku u drugo vreme, sa njegovom jedinstvenom kulturom i istorijskim kontekstom, zaista me fascinira. Takođe, posebno me privlače uloge sa dubinom i složenošću, koje izazivaju moje glumačke sposobnosti i omogućavaju nijansiranu interpretaciju.
Englis here:
You’ve had quite a diverse career journey, from studying business to acting and modeling. How have these disciplines influenced each other in your personal and professional life?
Well, it took me some time to find a balance between business, acting, and modeling. However, all three professions enriched my life significantly. Business taught me strategic thinking and discipline, which I apply to manage my career effectively. Acting expanded my empathy and communication abilities, enabling me to connect more deeply with others and modeling boosted my confidence and self-expression, helping me embrace my unique identity.
In all professions, I try to find a way to nurture from creativity whilst always trying to adapt to different circumstances. This has enriched my personal growth and helps bringing more ease to my professional journey.
You trained at the Lee Strasberg Institute in New York and Los Angeles. How did this experience shape your approach to acting, and were there any specific lessons that stood out to you?
My experience at the Lee Strasberg Institute was truly amazing, and I was incredibly fortunate to have such wonderful teachers. Reflecting on the time I spent there, a few key lessons stand out: the significance of emotional memory, the power of relaxation techniques, and the value of sense memory exercises. These techniques continue to be invaluable to me, helping to create genuine emotions and reactions that greatly enhance performances.
In your film “Envisioned: Solace of Our Demons” you seem to explore deeper emotional and psychological themes. What attracted you to this role, and what was the most challenging aspect of portraying such a character?
The depth and complexity of the character drew me to this role in “Envisioned: Solace of Our Demons.” Exploring such intricate emotional and psychological themes was both a challenge and a delight. I tried to capture the character’s internal struggles and portray them authentically, so the audience could relate to and empathise with the character’s journey.
“Window Shopping” seems to be a more playful, romantic film compared to some of your other work. What drew you to this project?
“Window Shopping” offered a refreshing change of pace for me, with its playful and romantic vibe. I was drawn to the project because of its charming storyline and the opportunity to explore a lighter, more whimsical side of storytelling.
Having worked in both theatre and film, how do you approach a role differently in front of a live audience versus on screen?
When I’m on stage, in front of a live audience, I thrive on the immediate energy and connection. I have learned over the years that it’s crucial to be present and amplify my expressions, as every movement and emotion must be big enough to reach the back row. There’s no pause button, and every performance is a fresh, shared experience with the audience.
On the other hand, film acting allows me to delve into the subtleties of a character. The camera captures the slightest flicker of an eye or the faintest whisper, so I focus on refining the details. My experiences on set is more intimate and allows for an inward reflection, showcasing subtle emotions without the need to exaggerate.
How do you hope your work as an actor can contribute to your passion for advocating for social issues and promoting diversity in the entertainment industry?
I am passionate about promoting diversity and representation in the entertainment industry through various initiatives and projects. One specific project I am passionate about is collaborating with organizations that support underrepresented filmmakers and artists to provide them with opportunities to showcase their work and amplify their voices.
What kind of roles are you hoping to take on in the future? Are there any genres or character types you’re particularly excited to explore?
I’m excited to explore roles in period pieces. The idea of stepping into a different era, with its unique culture and historical context, fascinates me. Also, I’m particularly drawn to roles with depth and complexity, which challenge my acting skills and allow for a nuanced portrayal.
Team:
Photographer: José Aragón
Creative director: José Aragón
Art director: Abraham Gutiérrez
Stylist: Abraham Gutiérrez
Grooming: Gino Mateus for Balmain Hair Couture Spain
Stylist assistants: Anita Gonzalez, David Salmoral
Director of photography: Razvan Andrei
Videographer – editor: Lucas Tamarit
Special thanks: Q17 Studios
